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        <rss:description>Updates and schedules for Dubuque Book Arts workshops and events</rss:description>
        

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    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2011/03/31/2011-dubuque-book-arts-courses">

        <rss:title>2011 Dubuque Book Arts Courses - Proposed</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2011/03/31/2011-dubuque-book-arts-courses</rss:link>       

        <rss:description>New class offerings from Dubuque Book Arts and Galena Design Center</rss:description>

        <content:encoded>
          <![CDATA[
          
<p><strong>Please fill out our <a title="Workshop Interest Survey" class="internal-link" href="/dubuque-book-arts/dbqba-support/workshop-interest-survey">Community Survey</a> as we hone our course descriptions!</strong></p>
<p><strong>Also please follow us on <a class="external-link" href="../../../../../follow-us-on-twitter">Twitter</a> and <a class="external-link" href="../../../../../join-us-on-facebook">Facebook</a> (links to SlowPrint's pages where we'll post news about Dubuque Book Arts events)<br /></strong></p>
<p>Throughout the year:<br /><strong>Typography for Artists and Others</strong>&nbsp; - Peter Fraterdeus and Kristine Jubeck (Weds evenings 7-9 once a month)<br />&nbsp;&nbsp;&nbsp; Learn to arrange language and information based on typographic contrast, form, color and structural principles. Use common word processing and simple page layout programs and their stylesheets. For artists, administrators and anyone needing a better sense of how to use visual language to write grants, design logos, flyers, posters and signs, and even make better websites.<br /><br />May-June Dates to be determined.<br /><strong>Non-Adhesive Bindings and Plein Aire Drawing</strong>: A weekend workshop (Saturday &amp; Sunday 11-5) combining<br />&nbsp;&nbsp;&nbsp; Making Books without Glue - Peter Fraterdeus<br />&nbsp;&nbsp;&nbsp; Learn to make your own Journal or Sketchbook with a simple non-adhesive binding based on 13th Century book structures<br />&nbsp;&nbsp;&nbsp; Drawing the River - Alice McMahon <br />&nbsp;&nbsp;&nbsp; Take your new sketchbook out to the Mississippi bluffs for a day of drawing (picnic lunch)</p>
<p>Get out of the house with a brand new sketchbook!</p>
<p>Two-day workshop at Slow Print Letterpress Studio (Dubuque)</p>
<p><em>Non-Adhesive Bindings</em> are modern adaptations of millennium-old
 techniques to transform loose sheets of paper into lovely, high-touch 
books with nothing but needle, thread and a sharp knife. No glues or 
adhesives needed!</p>
<p>We'll produce three book types, simple pamphlet style, single-sheet accordion, and&nbsp; multiple-signature sewn onto a folded cover.</p>
<p>The first day is focused on exploring the many possible structures of
 the book; folding, tearing, cutting and sewing papers, and finally 
creating a finished sketchbook from large sheets of fine art drawing 
paper. The binding section is taught by Slow Print founder Peter 
Fraterdeus.</p>
<p>Our second day will be in the countryside along the beautiful bluffs 
of the Mississippi River near Dubuque, for a day of sketching with 
charcoal and pencil with your new sketchbooks! Alice McMahon, an 
internationally known painter and charcoal artist, will provide critique
 and pointers on technique.<br /><br />June - July <br /><strong>Calligraphic Adventures</strong> with Peter Fraterdeus - (Two Saturdays 11-5)<br />&nbsp;&nbsp;&nbsp; Beginners through advanced calligraphers welcome as we play with the tools that humans have created to write and draw letters. Inks, watercolors, brushes, quills, steel, felt and roller pens-everybody out of the toolbox! We'll work with different types of paper, and learn how to see letters in a whole new way. Get away from the computer and feel the scratch of a real quill on handmade paper!<br /><br />August-September<br /><strong>Wood Type Wonderland</strong>&nbsp; - Peter Fraterdeus and Kristine Jubeck - (Saturday &amp; Sunday 11-5)<br />&nbsp;&nbsp;&nbsp; Join Peter and Kristine for an adventure in Wood Type on the Vandercook 219 Cylinder press. Extremely limited enrollment, this class at Slow Print Letterpress will be offered to a maximum of four students at a time. We will learn to design in real time with Slow Print's collection of antique wood type, and investigate the graphical and linguistic power of these wonderful old letterforms. Get away from the computer and smell the ink!<br /><br /></p>

          ]]>
        </content:encoded>        

        <dc:date>2011-03-31T16:02:28-05:00</dc:date>

        <dcterms:modified>2011-03-31T16:44:23-05:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>letterform</dc:subject>
        
        
            <dc:subject>workshop</dc:subject>
        
        
            <dc:subject>calligraphy</dc:subject>
        
        
            <dc:subject>drawing</dc:subject>
        
        
            <dc:subject>book arts</dc:subject>
        

    </rss:item>

    
    

    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/04/24/accentuate">

        <rss:title>Accentuate the Positive Letterform Workshop</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/04/24/accentuate</rss:link>       

        <rss:description>Notes and synopsis for this workshop, offered by Peter Fraterdeus.
Contact us for details.</rss:description>

        <content:encoded>
          <![CDATA[
          
<h2><a title="Accentuate the Positive Letterform Workshop - Class Notes" class="internal-link" href="/dubuque-book-arts/dbqba-support/Accentuate-Handout-1.0.pdf">Download the Class Notes (3.0mb PDF)</a><br /></h2>
<h2><br /></h2>
<h2>Introduction: Modes of Perception</h2>
<div class="pullquote"><strong><br />The eye doesn’t see black on the page, it sees the white. <br />— Ieuan Rees<br /><br /></strong></div>
<p>The Right Brain or R-mode provides the 'negative' space against which thought (Left Brain or L-mode) marks time,&nbsp; sequence and order. This is the quiet space, the empty vessel which holds the mind, yet is the mind. It is the complementary, the ground on which the figure plays, yet is also primary, for without it, thought itself could not exist, nor could we perceive form without its context.<br />We can think of L-mode as Logical and Linear,&nbsp; while R-mode is Reflective, Receptive — spacial and immediate. <br />Meditation, Music, Art, Sex, Exhaustion, Trauma, 'Psychoactives' — all are paths to R-mode awareness, yet it's fleeting.<br />Betty Edwards, as with all good Zen teachers, developed practices designed to quiet – really to bore or stun – the chattering, 'rational,' sequential, symbolic mind, allowing the intuitive perceptual mind to come forward. The conscious recognition of entering R-mode is as a light turning on! <br />In fact, enlightenment is a term used for the attainment of that continuous conscious state, when both R &amp; L modes are fully engaged! Drawing (letterforms) is as good a practice as any!<br />Our approach will be to inform the 'rational' mind, but to prefer the pattern-recognizing, synthesizing, relationship-appreciating mode of the 'empty' mind, which takes what the eye offers without judgement, in order to see 'negative' space as something real and substantial. To perceive the substance of emptiness.</p>
<h2>Day One — Drawing on Emptiness</h2>
<h2>What do you see?</h2>
<h3>Practicum : Day One</h3>
<h3>Drawing as a physical activity, making deliberate marks and expressive marks</h3>
<h3>Paper Bag Studies :The haptic sense — feeling our way to spatial relationships,</h3>
<blockquote>
<h3>haptic : of or relating to the sense of touch, in particular relating to the perception and manipulation of objects using the senses of touch and proprioception (awareness of the position of the body and its parts)</h3>
</blockquote>
<h3>Viewfinder studies with the Oak Leaf; of a Wood Type Letter<br />Heuristic Studies of rules and patterns in letterform construction</h3>
<blockquote>
<h3>heuristic : enabling a person to discover or learn something for themselves : a “hands-on” or interactive heuristic approach to learning.</h3>
</blockquote>
<h3>Jonathon Hoefler's exercise in 'tweening' forms between the 'known' letters</h3>
<h3>Sketching and refinement, iterative process in the "Letters Mingle Souls" design</h3>
<blockquote>
<h3>Mac demo?</h3>
</blockquote>
<h3>Finish Day One with a review of progress and perspectives.</h3>
<p>&nbsp;</p>
<h2>Betty Edwards: Strategies for Perception, Saturation</h2>
<h3>Perceive the Edges</h3>
<h3>Perceive the Negative Spaces</h3>
<h3>Perceive the Relationships and Proportions</h3>
<h3>Perceive the Lights and Shadows</h3>
<h3>Perceive the Gestalt – The Thingness of the Thing.</h3>
<h3><br />Edge is a shared boundary - Liminal Study of edges, boundaries - Scribble / string studies</h3>
<h3>Pure Contour Drawing, five minutes of the wrinkles in the hand. Toning the paper w/graphite</h3>
<h3>Sighting has to do with constants: Reason, Ratios and Relationships</h3>
<h3>St. Thomas Aquinas:</h3>
<blockquote>
<h3>The requirements for Beauty – <em>Integritas, Consonantia, Quidditas</em></h3>
<h3>(Wholeness, Harmony &amp; Essense)</h3>
</blockquote>
<p>&nbsp;</p>
<h2>Seeing and drawing<br /></h2>
<h3>What is the hardest letter to draw? To see? <br />Which is harder, drawing or seeing?<br />Haptic (touch, fasten) perception of negative space. [Wood Type Exercise Large – Small ]<br />Heuristic (self-discovered) perception of shape &amp; space [Non-Alphabetic Symbols (Jon. Hoefler’s exercises)]<br />Drawing for Design – Progressive Refinement, Iterative Process [pin-marks for registration, overlay] <br />Using the computer for refinement – Hidden sources of problems, kinks in curves, vector entrance &amp; exit</h3>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2>Day 2 — Applied Perceptions of Space</h2>
<div class="pullquote"><br /><br />If negative spaces are given equal importance to the positive forms, all parts of the drawing seem interesting and all work togerher to create a unified image. If, on the other hand, the focus is almost entirely on the positive forms, the drawing may seem uninteresting and disunified – even boring – no matter how beautifully rendered the positive form may be. —&nbsp;Betty Edwards (The New Drawing on the Right Side of the Brain,&nbsp; p120)<br /><br /><br /><br /></div>
<h2>Practicum : Day Two</h2>
<h3>Putting “flesh on the bones” or “wrapping the stone”?</h3>
<h3>Watercolor Postcards</h3>
<h3>Calligraphic Writing</h3>
<h3>Letterform Design</h3>
<h3>Ann Hechle’s Aspects of Language : Sound panel, etc.<a class="external-link" href="http://vads.ahds.ac.uk/learning/csc/hechle/essay.html)"></a></h3>
<h3>Platonic Ideals enter the Material World</h3>
<h3>The Eye, the Mind, the Hand, the Heart.</h3>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h2>Bibliography</h2>
<p>The best bet for finding these books is online. Try searching for the ISBN number at abe.com or amazon.com</p>
<h3>Books</h3>
<p>Betty Edwards<br />&nbsp;&nbsp;&nbsp; Drawing on the Artist Within: A Guide to Innovation, Invention, Imagination and Creativity <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; (Simon &amp; Schuster ISBN: 0671493868 / 0-671-49386-8) <br />&nbsp;&nbsp;&nbsp; Drawing on the Right Side of the Brain&nbsp;(ISBN: 0874770882 / 0-87477-088-2) <br />&nbsp;&nbsp;&nbsp; Color by Betty Edwards: A Course in Mastering the Art of Mixing Colors <br />&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; (ISBN: 1585422193 / 1-58542-219-3) <br />Nicolette Grey <br />&nbsp;&nbsp;&nbsp; Lettering as Drawing ISBN 0800847296<br />Micheal Harvey<br />&nbsp;&nbsp;&nbsp; Creative Lettering : Drawing and Design ISBN 0-8008-1997-7 (Taplinger)<br /><br /></p>
<h3>Websites</h3>
<p>Ann Hechle<br /><a class="external-link" href="http://vads.ahds.ac.uk/learning/csc/hechle/essay.html)">&nbsp;&nbsp; http://vads.ahds.ac.uk/learning/csc/hechle/essay.html</a><br />Peter Fraterdeus<br /><a class="external-link" href="http://fraterdeus.com/lettering">&nbsp;&nbsp; http://fraterdeus.com/lettering</a><br />&nbsp;&nbsp; http://<a class="external-link" href="http://semiotx.com/">semiotx.com/</a><br />&nbsp;&nbsp; This document: http://<a class="external-link" href="http://slowprint.com/dbqba/accentuate/">slowprint.com/dbqba/accentuate/</a><br />Ieuan Rees<br />&nbsp;&nbsp; http://<a class="external-link" href="http://www.ieuanreeslettering.co.uk/">www.ieuanreeslettering.co.uk/</a><br />Lao Tzu – Tao te Ching<br />&nbsp;&nbsp;&nbsp; http://<a class="external-link" href="http://www.terebess.hu/english/tao/gia.html">www.terebess.hu/english/tao/gia.html</a><br />Jonathon Hoefler – Introduction to Typeface Design 110<br />&nbsp;&nbsp; http://<a class="external-link" href="http://typophile.com/courses/">typophile.com/courses/</a></p>
<p>&nbsp;</p>
<h2>Supply List</h2>
<p>This is a list of important tools and materials. Most will be in your toolbox already.<br />Pencils, soft, medium and hard ie: 3B HB 2H 4H<br />Technical Drawing Pens&nbsp; size 0 or 00 (.35 or .30 mm) (the higher priced refillable pens can be used with subtle colors...) with appropriate inks. Watercolor inks (light-blue, purple) for refillable pens. Black waterproof fiber pens<br />&nbsp;&nbsp;&nbsp; Rapidograph or Mars pens or equivalent high-qualityfiber tipped like Zig Millenium)<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/staedtler-mars-technical-drawing-pen-set/<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/koh-i-noor-rapidosketch-pen-set/<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/artline-drawing-pens/ (fiber)<br />Long-hair sable 'pencils' (lettering brushes) # 3, #5<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/winsor-and-newton-sceptre-gold-designer-round-series-202/<br />"one-stroke" flat lettering brush 1/2 inch<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/robert-simmons-white-sable-one-stroke-series-721/<br />kneaded rubber eraser &amp; white plastic eraser (Mars, etc)<br />paper: 11x14 (or larger) pad drafting vellum (18x24 can be divided to 12x18 which is fine)<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/bienfang-graphics-360-marker-paper/<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/clearprint-1000h-drafting-vellum/ <br />paper: cold-press watercolor&nbsp; block 6x9<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/canson-montval-watercolor-blocks/<br />drafting tape : http://www.dickblick.com/products/drafting-tape/<br />watercolors,&nbsp; travel/pan set &amp; small watercolor palette &amp; small squat bottle for rinsing brushes, etc<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/raphael-watercolor-travel-set/<br />&nbsp;&nbsp;&nbsp; http://www.dickblick.com/products/winsor-and-newton-cotman-watercolor-pan-sets<br />magnifier for looking at small stuff up close<br />Xacto or single-edge razor blades for sharpening pencils (no 'pencil sharpeners' please!)<br />12" 30-60-90 drafting triangle &amp; small t-square, drafting board, etc<br />12-18 inches of white packing twine / nylon cord<br />MacBook (or whatever, ok! :-) with Adobe Illustrator and Wacom drawing tablet<br /><a class="external-link" href="http://Aviary.com">Aviary.com</a> account : this web-based graphics tool application may be VERY useful to those who don't have access to Adobe's professional tools). Sign up for a free account and check it out...<br />Also, <a class="external-link" href="http://sourceforge.net/projects/inkscape/">Inkscape</a>, an open-source vector drawing tool.&nbsp;</p>
<p>Of course, there’s nothing like the real thing. If you’re doing serious or professional work, <a class="external-link" href="http://www.adobe.com/products/illustrator/">Adobe Illustrator</a> is <em>de rigueur</em>.</p>

          ]]>
        </content:encoded>        

        <dc:date>2009-04-24T17:22:38-05:00</dc:date>

        <dcterms:modified>2009-04-24T19:07:11-05:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>letterform</dc:subject>
        
        
            <dc:subject>workshop</dc:subject>
        
        
            <dc:subject>calligraphy</dc:subject>
        
        
            <dc:subject>design</dc:subject>
        

    </rss:item>

    
    

    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/04/08/letterpress-workshop-postponed">

        <rss:title>Letterpress Workshop postponed</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/04/08/letterpress-workshop-postponed</rss:link>       

        <rss:description>But volunteer opportunities abound!</rss:description>

        <content:encoded>
          <![CDATA[
          
<p>We're postponing the Letterpress Workshop due to space and scheduling issues.</p>
Please <a title="Workshop Interest Survey" class="internal-link" href="/dubuque-book-arts/dbqba-support/workshop-interest-survey">drop us a note</a>
<p> if you're interested and we'll keep you informed!</p>
<p>&nbsp;</p>
<p>Volunteer opportunities are available in the meantime!</p>
<p>Help clean up the old presses, and organize the 19th C. woodtype collection.</p>
<p>Hands-on, gritty work, very educational!!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>

          ]]>
        </content:encoded>        

        <dc:date>2009-04-08T10:51:55-05:00</dc:date>

        <dcterms:modified>2009-04-08T10:51:55-05:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>book arts</dc:subject>
        

    </rss:item>

    
    

    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/03/23/2009dbaclasses">

        <rss:title>Dubuque Book Arts Spring Classes 2009 </rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/03/23/2009dbaclasses</rss:link>       

        

        <content:encoded>
          <![CDATA[
          
<h2>Dates</h2>
<ul><li>
Calligraphy Workshop Saturdays 1:30-4:30; May 9, 16 (skip May 23, 30) June 6, 13, 20, 27</li><li>Intro to Letterpress 10-5; Saturday, Sunday, April 18, 19</li><li>Intro to Letterpress 10-5; Saturday, Sunday, May 23, 24</li></ul>
<p>&nbsp;</p>
<h2>Sign up through Dubuque Art Center!</h2>
<p>We are very pleased to be offering our inaugural classes through a special association with the new Dubuque Art Center.</p>
<p>Please see the <a class="external-link" href="http://dubuqueartcenter.org">dubuqueartcenter.org</a> website for registration details!</p>
<p>&nbsp;</p>
<h2>Calligraphy Workshop</h2>
<p>All levels</p>
<p> Six Sessions $180 or $40/session</p>
<p>This ongoing workshop will give beginners a firm step up on the path towards mastering the elements of calligraphy and italic handwriting. More advanced students will have opportunites for design critique on their own projects and lessons&nbsp; alternating between skill development, and creative playful experiments with letters.</p>
<dl class="image-inline captioned image-inline">
<dt><a rel="lightbox"
       href="/dubuque-book-arts/dbqba-support/CalligraphyWrkshp.jpg"><img src="http://www.exquisiteletterpress.com/dubuque-book-arts/dbqba-support/CalligraphyWrkshp.jpg/image_preview" alt="Calligraphy Workshop" title="Calligraphy Workshop" height="400" width="308" /></a></dt>
 <dd class="image-caption" style="width:308px"></dd>
</dl>

<p><br />With positive response, the Workshop will continue for ongoing six week sessions. Students are encouraged to return!<br />Good for calligraphers, book artists, scrapbookers, designers, anyone! Young people over 12 years welcome.</p>
<h2>Intro to Letterpress <br /></h2>
<p>Saturday/Sunday 10-5 $170 includes materials</p>
<p>limited to six students, 17 and older or by special arrangement.</p>
<p>Learn the basics of printing posters with 19th C wood type in the flat-bed Vandercook Cylinder Proof Press.</p>
<p>The Vandercook Cylinder Proof&nbsp; press is the most widely used for boutique presses, with hundreds or thousands of small presses flourishing in North America since the 1990s in the "Renaissance of Letterpress".&nbsp; Now highly desired for wedding stationery and other special materials both personal and corporate, letterpress provides relief (literally!) from the flat shiny high-tech printing of copiers and commercial lithography. It's not quick print, it's SlowPrint, and it's "High Touch" not high-tech!</p>
<p>These two day workshops (students are welcome and encouraged to attend both session) will cover the use of the press, printing technique, typography and design strategies using the large collection of 19th Century wood types in the Slow Print Studio collection.</p>
<p>Liability waiver required.</p>
<p>This class is required for anyone interested in using the community press at Peter's "SlowPrint™" Studio.</p>
<p>The studio equipment is available by appointment for projects on a per diem and press rental basis.</p>
<p>More details will be forthcoming!</p>
<p>&nbsp;</p>
<h2>About Dubuque Book Arts at SlowPrint™ Studio<br /></h2>
<p>
Dubuque Book Arts is an educational program of Galena Design Center,
Inc. in collaboration with Peter Fraterdeus of slowprint.com and
Dubuque Art Center.<br />
We hold workshops and classes at Peter's SlowPrint Studio on East 9th Street in Dubuque's Historic Warehouse District.<br />
With seven (or is it eight) antique (1890s) and 'modern' (1930s-1950s)
letterpress in the studio, we've got more high-touch printing in one
place than anywhere between Madison and Iowa City or the Twin CIties
and Chicago!</p>
<h2>Peter Fraterdeus, Director, Dubuque Book Arts<br /></h2>
<p>Founder and workshop director, Peter has over 30 years of experience with calligraphy and letter design, including two National Endowment for the Arts grants to study calligraphy, letter carving and type design in Europe and the UK.</p>
<p>He's been a letterpress printer since the mid 1960s when he first learned to print at Nichols Junior High in Evanston. He never imagined he would end up forty years later with a warehouse full of beautiful old presses, targeting internet marketing to the entire English speaking world, and printing on some of the very finest paper made on the planet!</p>
<p>Peter taught calligraphy and letterform design at the School of the Art Institute of Chicago (SAIC), and in 1986 developed the first Macintosh design lab in Chicago and the first Letterpress Typography Lab both at SAIC. He's also an internet strategy and design consultant, type designer, photographer, author, and a pretty good Irish Fiddle player.</p>
<p>He's currently the owner and operator of Exquisite Letterpress at Slow Print Studio in Dubuque.</p>

          ]]>
        </content:encoded>        

        <dc:date>2009-03-23T22:23:58-05:00</dc:date>

        <dcterms:modified>2009-03-24T21:11:09-05:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>book arts</dc:subject>
        

    </rss:item>

    
    

    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/01/09/words-in-progress-exhibition">

        <rss:title>Words in Progress Exhibition</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2009/01/09/words-in-progress-exhibition</rss:link>       

        <rss:description>Link to the Picasa Album</rss:description>

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<p>We'll try to get more of these photos on the site, but for now, please see the <a class="external-link" href="http://picasaweb.google.com/pfraterdeus/WordsInProgressClarkeCollegeDubuque#">Words in Progress album on Picasa</a></p>
<p>&nbsp;</p>
<a href="http://picasaweb.google.com/lh/photo/oumz5_ZBp7sok8pilpuCyg?feat=embedwebsite"><img src="http://lh6.ggpht.com/_-xKDhTEk3jw/SS4oRu6FKuI/AAAAAAAABv8/pbhUgSAp028/s400/IMG_8227.jpg" alt="null" /></a>
<p>&nbsp;</p>
<p>The prints shown in the exhibition were prepared as a set of PDF documents.</p>
<ul><li>Horizontal pieces</li><li>Vertical pieces</li><li>Captions</li><li>Banners</li></ul>

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        <dc:date>2009-01-09T11:32:20-06:00</dc:date>

        <dcterms:modified>2009-01-15T14:37:35-06:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>book arts</dc:subject>
        

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    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2008/10/13/2008dbaclasses">

        <rss:title>Fall &amp; Winter Classes At Dubuque Book Arts</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2008/10/13/2008dbaclasses</rss:link>       

        

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<p>We'll be moving across the street to 123 E 9th St in November, and will have our first classes after Thanksgiving, just in time to print some last minute gifts or holiday greetings!</p>
<p>The final schedule has not been determined yet, so please&nbsp;<a title="Workshop Interest Survey" class="internal-link" href="/dubuque-book-arts/dbqba-support/workshop-interest-survey"><strong> let us know your interests </strong></a>on the Dubuque Book Arts survey page.</p>
<p><strong><a title="Workshop Interest Survey" class="internal-link" href="/dubuque-book-arts/dbqba-support/workshop-interest-survey">Click here</a></strong> to go to the survey, and we'll put you on our mailing list!</p>
<p><strong>Intro to Letterpress - Holiday Cards</strong></p>
<p><strong>Calligraphy Beginners (all ages) - Materials and Movement</strong></p>
<p><strong>Calligraphic Marks - Texture and Dynamic Contrast</strong></p>
<p><strong>Typographic Workshop - Intermediate Letterpress<br /></strong></p>
<p><strong>Rubberstamp Magic and Scrapbooks</strong></p>
<p><strong>Handmade Books - Pamphlets and folded non-adhesive bindings</strong></p>
<p><strong>Advanced Book and Letter Arts Tutorials</strong></p>
<p>Our classes are workshop format, one or two full days, or two to four evenings and will cost between $75-125 not including materials fees which vary.</p>
<p>We'll start with the basics, and as students complete the introductory levels, we will offer more advanced classes.</p>
<p>Most of the workshops will be taught by Dubuque Letterpress owner Peter Fraterdeus, but we also have some special book-and-paper artists lined up!</p>
<p>Peter also offers personal tutorials by appointment for advanced students in letterpress techniques, calligraphy, type-design and digital processes.</p>
<p>&nbsp;</p>
<p>Classes are subject to cancellation if underenrolled. Minimum class size is six, so sign-up with a friend or two!</p>
<p>&nbsp;</p>
<p><strong>About Peter Fraterdeus</strong></p>
<p>Awarded two <em>National Endowment for the Arts</em> fellowships in the 1980s in lettering arts <br />(Calligraphy and Inscriptional Carving Apprenticeship - 1980, Design Arts Fellowship for "Font" Design - 1986).</p>
<p>Taught <em>Calligraphy; Letterform Design; Digital Design Processes</em> from 1983-1991 at the School of the Art Institute of Chicago</p>
<p>Taught <em>Information Design for the WWW</em> at IUAV (Istituto Universitario Archittetura di Venezia) in Treviso, Italy 2001-2002</p>
<p>"Lakeside Design" Letterpress Studio in Evanston, Illinois 1981-1992</p>
<p>Alphabets, Inc., type design and marketing, Evanston, 1987-1997</p>
<p>Semiotx, Inc. information design, web strategy and content management systems, 1999-2008</p>
<p>Exquisite Letterpress, letterpress stationer and printer marketing exclusively online to clients worldwide at slowprint.com since 2007</p>

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        </content:encoded>        

        <dc:date>2008-10-13T18:49:19-05:00</dc:date>

        <dcterms:modified>2008-10-13T19:19:07-05:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        

        
            <dc:subject>book arts</dc:subject>
        

    </rss:item>

    
    

    <rss:item rdf:about="http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2008/01/05/happy-new-year">

        <rss:title>Happy New Year!</rss:title>

        <rss:link>http://www.exquisiteletterpress.com/dubuque-book-arts/archive/2008/01/05/happy-new-year</rss:link>       

        

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<p>We're still unpacking the shop and equipment from our move last month, so we're a bit behind getting the events listings done.</p>
<p>However, you can certainly drop us a note if you are interested in Dubuque Book Arts programs, whether printing, calligraphy, book arts, rubberstamping or other related arts!</p>
<p>&nbsp;</p>

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        </content:encoded>        

        <dc:date>2008-01-05T19:28:48-06:00</dc:date>

        <dcterms:modified>2008-01-05T19:28:48-06:00</dcterms:modified>

        <dc:creator>Peter Fraterdeus</dc:creator>

        


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